Zora Neale Hurston
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Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years. This poetic, graceful love story, rooted in Black folk traditions and steeped in mythic realism, celebrates boldly and brilliantly African-American culture and heritage....
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"In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave...
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"One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white...
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"In 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, "desperately striving for a toe-hold on the world." During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American...
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Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one's heart.
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"From Zora Neale Hurston, one of the most important African American writers of the twentieth century, comes her riveting autobiography--now available in a limited Olive Edition.First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, funny, bold, and poignant autobiography--an imaginative and exuberant account of her rise from childhood poverty in the rural south to a prominent place among the...
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Mules and Men is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within...
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Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tales -- which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners -- reveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales...
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Anthology of essays, folklore and fiction by a leading figure in the Harlem Renaissance.
"Originally published in 1979, this reissued classic is a collection of Zora Neale Hurston's finest works, edited by Alice Walker. This anthology was the first to collect the works of Hurston, who was one of the most prolific writers of the Harlem Renaissance, and includes fiction, folklore, reportage, and personal essays"-- Provided by publisher.
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Hurston's first novel, published in 1934, tells the story of John Buddy Pearson, a young man who loves too many women for his own good. Even after becoming a popular pastor at Zion Hope where his sermons rouse his congregation, he has to confess that he's far from perfect. In this sympathetic portrait of a man, Zora Neale Hurston shows that good intentions cannot resolve the tension between the spiritual and physical.
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In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses's life from the day he is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation...
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African-American folklore was Zora Neale Hurston's first love. Collected in the late 1920's Every Tongue Got to Confess, from the celebrated author of Their Eyes Were Watching God, is published here for the first time, beautifully performed by Ruby Dee and Ossie Davis. Hilarious, bittersweet, and often saucy, these folk-tales provide a verdant slice of African-American life in the rural South at the turn of the twentieth century. They capture the...
14) Spunk - A Short Story: Including the Introductory Essay 'A Brief History of the Harlem Renaissance'
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Harlem Renaissance writer Zora Neale Hurston explores a battle between physical and moral strength in this pocket-sized short story, 'Spunk'.
Set in an all-Black community in rural America, this short story poses the question of whether moral strength is more powerful than physical strength. Spunk Banks is described as a 'giant'. He is unafraid of anything and when he openly flaunts his affair with Lena Kanty, Joe Kanty's wife, the other men in...
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From the prolific Harlem Renaissance writer Zora Neale Hurston, 'Spunk' and 'Sweat' are thought-provoking short stories set in the heart of African-American communities following the civil war.
'Spunk', first published in 1925, is set in an all-Black community in rural America and poses the question of whether moral strength is more powerful than physical strength. Spunk Banks is described as a 'giant'. He is unafraid of anything or anyone, but...
17) Sweat - A Short Story: Including the Introductory Essay 'A Brief History of the Harlem Renaissance'
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'Sweat' is an early feminist short story by Harlem Renaissance writer, Zora Neale Hurston. This pocket-sized tale presents the contrasting lives of a married couple: the sweat and toil of Delia and the leisure and privilege of her husband, Sykes.
Delia works incredibly long hours as a washerwoman, making sure that she earns enough to pay rent for her and her husband's home, while also ensuring the house is clean and there is food on the table....
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"Maybe, now, we used-to-be black African folks can be of some help to our brothers and sisters who have always been white. You will take another look at us and say that we are still black and, ethnologically speaking, you will be right. But nationally and culturally, we are as white as the next one. We have put our labor and our blood into the common causes for a long time. We have given the rest of the nation song and laughter. Maybe now, in this...
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The acclaimed author of Their Eyes Were Watching God relates her experiences as an African American woman in early-twentieth-century America.
In this autobiographical essay, author Zora Neale Hurston recounts episodes from her childhood in different communities in Florida: Eatonville and Jacksonville. She reflects on what those experiences showed her about race, identity, and feeling different. "How It Feels to Be Colored Me" was originally published...
20) Color Struck - A Play: Including the Introductory Essay 'A Brief History of the Harlem Renaissance'
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Zora Neale Hurston's tragic 1926 play Color Struck is a thought-provoking commentary on colorism within the Black community.
Set in Florida in 1900, Colour Struck begins on a Jim Crow train carriage. Barely making the train, Emma and John's journey commences with an argument. Emma saw John speaking to a lighter-skinned Black woman, Effie, and was immediately jealous, assuming he was flirting. Throughout the play Emma continues to display animosity...